PROLOGUE
TRU (voice-over)
Previously on Tru calling…
Shot of a man’s black boots walking into a dark bedroom, and a 10-year-old Tru in the closet
ELISE(voice-over)
Stay quiet now, Tru
CARL NEESAN (voice-over)
Where’s your daughter?
ELISE
She’s not here
CARL
Good
(A black-gloved hand raises a gun and shoots Elise)
Cut to: Shot of Tru sitting up in bed, after the nightmare
Cut to: In the Morgue: DAVIS: (to Tru) “This is Mr Harper, he will be interviewing to replace Gardez”
Cut to: In the Morgue: JACK: (to Tru) “Thanks for making me feel so welcome. It’s never easy being the new guy”
Cut to: In the Morgue: DAVIS: (to Tru) “That guy’s going places”. TRU: “Lets just hope somewhere far, far away from here”
Cut to: The Track: JACK: (to Harrison) “What’s with your sister, anyway?” HARRISON: “Ever since our mom died, she kind of looks over the family”. JACK: “Maybe that’s why she always seems like she has the weight of the world on her shoulders”
Cut to: In the Morgue: DAVIS (to Tru) “There was someone else. It was your mother. What you can do, she could do it too”
[Fade to Black]
1. EXT. Alley. NIGHT.
(A young black lady runs through the alley, splashing through puddles. A second later, a man follows after her. The lady runs until she reaches metal gates, they are padlocked. She pulls at them desperately)
“NICK”
It’s the end of the line, Maggie
(He pulls out a flick knife)
“MAGGIE”
Please, Nick, I promise I won’t tell anyone what I know
“NICK” (advancing on her)
You’re right. You won’t
(He stabs her in the stomach and she falls to the ground, dead. He walks away with the bloody knife. Camera close up on her face)
2. INT. Morgue. DAY.
(Davis points to the television screen)
DAVIS
See? That’s her. That’s her right there, that’s Carly Anders
TRU
Right, the girl from all those teen movies
DAVIS
Well she put an album out also, so…
TRU
And I care because?
DAVIS
Because she’s gonna be spending the day with us tomorrow
TRU
Okay, remind me again why some actress is coming here?
DAVIS
I told you, because she’s playing a morgue attendant in her next movie. She wants to make sure that she has all the technical aspects of the role
TRU
That’s not what I meant. I don’t get why she’s coming here, to our morgue
DAVIS
A hometown girl. Her mom and 8-year-old sister live nearby. Two birds with one stone, I guess
TRU
Okay
(She starts to get up from her seat then notices the computer screen)
Hey, hey, what’s this?
Shot of the computer screen – it’s a table of all the people Tru has saved, and a graph of the days of the week do-over days fall on
TRU (cont’d)
“Relived days versus non-relived days, victim’s sex, manner of death”
DAVIS
Well its personal data of everyone that you’ve saved so far. I’m using it to look for recurring patterns among would-be victims. So if a body comes into the morgue, we’ll know how likely it is to ask for help. Did you know that you’re most likely to be asked for help on Mondays and Thursdays?
Shot of the graph on the computer – Mondays and Thursdays bars are by far higher than the other days
DAVIS (cont’d)
Or that there’s an 83% chance that the killer is someone that the victim is close to?
TRU
Does it say anything about my mother?
DAVIS
I’m not sure that I understand…
TRU
Does it say why she didn’t tell me about reliving days? That she could do it too?
DAVIS
I’m sure she would have, but she just ran out of time
TRU
I mean she must have known that there was some chance she would pass it on to one of her kids, but she never told us. She never prepared us. I mean, not one word
DAVIS
Look, I know that you’re angry about…
TRU
I just wish your research could tell me that. Not just that I won’t be getting any Mondays or Thursdays off for a while
JACK (off-screen)
That’s perfect
Camera pans over to show Jack in the doorway. He walks into the room
Because I’ll take all the Mondays I can get. Big TV night for me. Is that the new schedule?
DAVIS & TRU (in unison)
No
(Davis clicks it off the screen)
DAVIS
It’s nothing. But I’ll post the new schedule in the morning
(Jack raises his eyebrows)
TRU
Okay. Bye
(she leaves the room)
JACK
You know, Tru, I was thumbing through the intake records this morning, and I couldn’t help but notice you’ve never been on a pickup
TRU
That’s ridiculous. I’ve…
DAVIS
No. Not one. You’re right. And that’s my fault, and I’m sorry. And Jack, thanks for pointing that out. Thank you
JACK
Anytime
(He walks away. Tru walks back into the room)
DAVIS
All your pickups have been on relived days, you remember? It’s like it never happened
TRU
Do you think he heard us?
DAVIS
We so need a secret lair
[CREDITS]
3. EXT. Car showroom. DAY.
(Tru is asleep in a car. Harrison is arguing with the salesman)
HARRISON
Twenty two hundred? Please, sir, don’t insult me. This is a hunk of junk. What, are you out of your mind? That’s an insult
MONTY
This vehicle is six years old, has under 30,000 miles. Twenty-two hundred is a steal
(Tru wakes up in the car)
HARRISON (off-screen)
Yeah, “steal” being the operative word
(Tru gets out the car and walks over to Harrison and Monty)
MONTY (to Tru)
Would you like a cup of coffee? Got some brewing in the office
TRU
Sorry. I just got off the night shift
MONTY
Oh really? Where do you work?
TRU
I work over at the county…
HARRISON (interrupting)
Oh! Sidebar, you and me, right now
(Tru and Harrison move away from Monty)
HARRISON
What did we say about sharing personal info with the used car guy? Hmm? Once they think you’ve got cash, they jack up the price
TRU
All I said was I work the night shift
HARRISON
Look, just stick to the plan. Talking to dead people – your thing. Haggling – mine
TRU
Fine
(They walk back over to Monty)
HARRISON
Yeah, she’ll give you two grand for it, Monty. Not a penny more
(Monty smiles and holds out a hand)
MONTY
Deal
HARRISON
Hey
MONTY
I’ll start the paperwork. Coffee, right?
(He walks away)
TRU
Why do I get the feeling he would have gone lower than two grand?
HARRISON
Hey, at least you got a set of wheels now. So you can do your girly stuff and go save dead people. All the things that you like to do
(Tru smiles at him)
I gotta go. Lindsay wants to prep me for dinner with her sister tonight
TRU
All right
HARRISON
Wish me luck!
TRU
Luck
Cut to: Shot of the City Morgue building
4. INT. Morgue. DAY.
(Davis and Tru walk towards the elevator)
DAVIS
So remember, celebrities are just like you and me, only famous. Try to keep it cool
TRU
I’ll try
(They both sigh, nervously, standing outside the elevator. It dings, and opens. Carly Anders and her personal assistant walk out)
CARLY
Hi! You must be Davis
(She holds out her hand to him. He stares at her, eyes wide, star-struck. Tru holds out her hand instead)
TRU
Tru Davies
CARLY (shaking it)
Carly Anders, and this is my assistant, Anna
TRU
Hi
ANNA
Hi, nice to meet you
(They look at Davis. He hasn’t moved a muscle)
5. INT. Morgue. DAY.
(Tru is showing Carly around)
TRU
So, this is the standards room where a body gets processed
CARLY
After its been picked up from a crime scene
TRU
Right
CARLY
That’s part of a morgue attendant’s job, right? To retrieve the body?
TRU
Typically, yeah
CARLY
But what if there isn’t a body? I mean, what if you get to a crime scene, and it looked like a murder had taken place, but the body was gone?
TRU
Tell me where you’re going with this?
CARLY
Well, the reason I ask is that in the first act of this movie, my character issues a death certificate for a guy who vanishes while hiking in the mountains
TRU
So you’re wondering why you’d do that if there wasn’t a body?
(Carly nods)
CARLY
Exactly
TRU
Well, under certain circumstances, a coroner’s office can declare a person legally dead without a body. It’s called a Certificate of Presumptive Death
CARLY
Let me ask you another question. So how’d you get into this line of work?
TRU
Well, I had an internship lined up to help me get into med school, and when that fell through, I kind of ended up here
CARLY
I used to wanna be a doctor when I was a kid. But then the acting thing took off and you know how it is when you find your calling. You gotta answer it
TRU
Yeah, I know what you mean. But I mean, judging by your success, it seems like you made the right choice
CARLY
I’m not so sure, sometimes. I mean all the pressure, the hours…putting up with the media. It gets to you after a while. Maybe I should work here, dead people are much less demanding
TRU
Actually, you’d be surprised
Cut to: Shot of the City buildings
6. EXT. Street. DAY.
(Lindsay and Harrison are walking along together, arm in arm)
LINDSAY
Look, I know this probably seems crazy, but Erin? She never likes my boyfriends. And I really want her to like you
HARRISON
Relax, she’s gonna love me
LINDSAY
Well she’d better. We both know how spotty your track record’s been lately
HARRISON
Yeah
LINDSAY
Look I’m just…I’m really counting on you, okay?
(They pass a funeral party, and Harrison notices Jack standing there with a couple of men)
HARRISON
Jackie! What’s going on, man?
JACK
Harrison
(to the men) Excuse me
HARRISON
What is up!
JACK
How are you?
(Harrison looks at the sign on the wall: Anthony Bros. Funeral Home)
HARRISON
Oh…you at a…a funeral?
JACK
Yeah. A friend of mine passed away. I came to pay my respects
HARRISON
Wow, I’m sorry to hear that
LINDSAY
Yeah, me too
JACK (to Lindsay)
Hi
LINDSAY
Hey
HARRISON
Oh! Jack, Lindsay. Lindsay, Jack
LINDSAY
Jack. Yeah, Harrison’s told me lots about you
JACK
You know, I was about to go get a drink. Would you guys like to join me? I know its early, but its kinda been one of those days, you know?
LINDSAY
Um, I actually have a tonne of stuff to do before tonight, but if you think you can squeeze a drink in before dinner, then…
HARRISON
Are you kidding? Probably knock back three or four, huh?
(Lindsay looks at him)
But we won’t
7. INT. Morgue. DAY.
TRU
She was really nice, Davis. Totally down to earth, not at all what I expected. I mean, someone I could totally hang with
DAVIS
Yeah, if she wasn’t going back to Hollywood tomorrow
TRU
It’s not just that. This whole superhero thing, all the running around I do…it’s hard enough to keep the friends I have, let alone make new ones
DAVIS
Well traditionally, superheroes don’t have many friends. Just a close-knit group of allies and confidants
TRU
Well I’m 22 years old Davis, I need more than allies and confidants
(A door opens and a man walks into the room beyond theirs)
TRU
Hey, can I help you?
MAN (leaning into the room)
Yeah, I’m looking for Carly Anders
TRU
Oh, you just missed her
MAN
Oh, shoot. I was really hoping to catch up with her
TRU
She a friend of yours?
MAN
We go way back. Say, you wouldn’t happen to know where she was heading?
TRU
Her mom’s I think. You could try her there
MAN
Thanks, I will
TRU
Okay
(He smiles and walks away)
Well, Davis, I’ll see you tomorrow. It’s been kind of a long day
DAVIS
Tru, um, about your mother. Maybe she never told you because she didn’t think you were ready to understand
TRU
Well I guess we’ll never know, will we? Bye
8. EXT. Street. DAY.
(Tru gets into her new car. She starts it, and the engine sputters, then dies.)
TRU
Oh, no. No…
Cut to: Shot of the “Nicky St. Hubbins” bar
9. INT. Bar. DAY.
(Harrison and Jack are drinking a toast)
HARRISON
To new friends
JACK
You know, its never easy being the new guy in town, I just wanted to say thanks for making it not quite so hard
HARRISON
Well, hey
(They drink, and then Jack starts laughing)
What’s so funny, friend?
JACK
Just picturing your sister’s face when she finds out we hung out
HARRISON
Yeah, yeah, don’t take it personal. You know Tru
JACK
No, actually, I don’t. I mean, we work in the same place, we talk every day, we work side by side, but I can’t really say I know her
HARRISON
She’s cool, bro
JACK
No doubt she is
HARRISON
She’s like me. She’s, like, loyal…but she’s…she’s smart as hell. And she works her tail off
JACK
Tell me about it. She comes in off-shift, practically memorizes the stats of all the corpses. That job…it’s like she lives for it, you know?
HARRISON
Understatement of the year
JACK
What’s that?
HARRISON
What’s what?
JACK
Something about your sister I should know?
HARRISON
What? No, er…
(His cellphone rings)
Ah…talk to me
Cut to: Tru, standing by the bonnet of her car, the engine smoking
TRU
Nice job. My car is a lemon
Cut to: HARRISON
What?
Cut to: TRU
It won’t start. Something’s wrong with the engine
Cut to: HARRISON
So we’ll take it back in the morning
Cut to: TRU
Right. I’m sure Monty’s Used Cars has a real accommodating returns policy
HARRISON (voice-over)
I’ll figure something out, I promise
TRU
Look, right now, all I need is a ride home
Cut to: HARRISON
A ride home? (he checks his watch) Look, I’d love to help you out Tru
Cut to: TRU
But?
Cut to: HARRISON
But I gotta go home, get ready. If I don’t look just right tonight, Lindsay is gonna kill me
Cut to: TRU
Whoa, whoa, you’re kidding, right?
Cut to: JACK
Ask her where she is
HARRISON
Where are you?
Cut to: TRU
At the corner of Third and Ogden
Cut to: HARRISON (to Jack)
Third and Ogden
JACK
Tell her I’ll swing by the morgue and pick up a van. I’ll be there in 20 minutes
HARRISON
Oh, my man Jack says he’ll be there in 20 minutes
Cut to: TRU
Jack? No, no, no, I don’t want a ride from Jack
Cut to: HARRISON
Babe? Gift. Horse. Mouth. Need I say more?
Cut to: Shot of the reddening skyline
10. EXT. Street. Evening.
(Jack’s van pulls up beside Tru, who is still sitting in her car)
JACK
So, you wanna ride up front or in the back?
TRU
Very funny
JACK
Harrison sends his love, by the way
TRU
Where were you two, anyway? The racetrack?
JACK
No, actually, we were in a bar
TRU
Oh, much better
JACK
Why do I get the feeling you don’t want me hanging out with your brother?
TRU
Probably because you’re very perceptive
JACK
Harrison’s a nice guy
TRU
Yep, and I’d like to keep him that way
JACK
A guy’s gotta make friends somewhere, Tru
TRU
What’s that supposed to mean?
JACK
You think it’s been easy for me, working in the morgue? I try to be friendly, I try to be a good guy, but every time I walk into a room, you and Davis clam up, or you change the subject, or you leave
TRU
That has nothing to do with you
JACK
Still, it doesn’t exactly make me feel like part of the team
TRU
Jack, if we made you feel left out, I mean that’s not at all what we’re trying…we would never wanna…
(His cellphone rings)
JACK
Apology accepted
(he answers his cell)
Gofer Jack. Yeah? Yeah, I’ll be right there
(he hangs up the cell)
Well, it’s your lucky day, Davies. You’re about to go on your first pickup. Hop in
11. INT. Restaurant. NIGHT.
(Lindsay, Harrison and Lindsay’s sister are sitting down together. Harrison is dressed in a suit, and is pouring wine into their glasses)
HARRISON
I mean, have you noticed this crazy weather we’ve been having lately? I remember it being much, much warmer this time last year
ERIN
I know, isn’t that the strangest thing? I mean, it’s late spring and I’m still in my mid winter wardrobe
HARRISON
Oh, that is a lovely colour on you, by the way
ERIN
Thank you
HARRISON
You’re welcome
(Erin looks over at Lindsay, who smiles and shrugs)
ERIN
Would you excuse me? I’m just gonna powder my nose
HARRISON
Oh, yeah, sure. Excuse me
(He stands while she leaves the table)
LINDSAY
You…are doing awesome
HARRISON
Come on babe, what did you expect? Don’t answer that
Cut to: Shot of the city – night
Cut to: Police car, its sirens wailing, driving over the bridge
Cut to: The river, a diving boat trawling it, looking in the water. As it passes, a crane pulls a car out of the river
12. EXT. Riverside. NIGHT.
(Tru and Jack are walking along with a detective)
DETECTIVE
The deceased called 911 from her car approximately 90 minutes ago. Said she was being pursued by another vehicle as she approached the bridge. Then the line went dead. Three guesses what happened next
JACK
I’m gonna get the gurney. I’ll be right back
TRU
Okay
(to the detective) Do you think she was forced off the road?
DETECTIVE
The divers found a red paint scrape on the driver’s side door. Most likely from the pursuing vehicle
TRU
Who took her body out of the car?
DETECTIVE
She was already washed up onto the shore when we got here. Most likely thrown free on impact
(he sees someone else and walks away calling “Jim!”)
(Tru looks over to the body lying on the ground, partially obscured from view by the police officers standing around. She walks closer and eventually sees its Carly Anders)
TRU
Oh, no. Carly
(Carly’s head turns to face Tru)
CARLY (whispering)
Tru, I need your help!
[Flashes of images as the day rewinds]
13. EXT. Car showroom. DAY.
(Tru jolts awake in the yellow car, at Monty’s Used Cars showroom)
HARRISON (off-screen)
Twenty-two hundred for this hunk of junk? What, are you out of your mind? That’s an insult!
TRU
Oh boy…here we go again
[Fade to Black]
[Flashes of the days images in sequence]
14. EXT. Car showroom. DAY.
(Tru gets out of the car and walks over to Harrison and Monty)
MONTY
Twenty-two hundred is a steal
HARRISON
Yeah, “Steal” being the operative word
TRU
I don’t want it
MONTY
Pardon?
TRU
I don’t want it. I want…
(she looks around the yard, and points to a smart red car)
I want that one
HARRISON
Whoa, whoa, whoa…
(he takes Tru aside)
I thought I was doing the negotiating
TRU
Not today
MONTY
Ah, little lady? I think you’re mistaken. This car is in like-new condition. It’s got at least another 60,000 miles in it
TRU
Actually, it’s got about six miles, and then its gonna die. And I’m not your little lady
HARRISON (whispering)
Did the day restart so you could save a car?
TRU (to Monty)
I’ll give you fifteen hundred for that red one
MONTY
It’s listed at over $2000 dollars…
TRU
Fifteen hundred. Take it or leave it
MONTY (unhappily)
Deal
TRU
Thanks, Monty
Cut to: Shot of the City Morgue building
15. INT. Morgue. DAY.
DAVIS
Wait, the Carly Anders as in the Carly Anders who’s getting ready to come down in the elevator?
TRU
Yeah
DAVIS
Oh, God! I’m nervous around regular people, but famous people that are about to die?
TRU
She’s not gonna die, Davis. Not if we have anything to say about it
DAVIS
Well who would’ve thought you’d have been asked for help on Wednesdays?
TRU
Why wouldn’t I be?
DAVIS
Well according to my research, relieved Wednesdays are a statistical rarity. I was gonna make it your regular day off
TRU
No more research. In fact, take it off your computer altogether
DAVIS
Why?
TRU
Jack’s been asking questions. He thinks we’re up to something, and since we are, we should be a little bit more careful, don’t you think?
DAVIS
Well, what about suspects?
TRU
There aren’t any. Not yet, anyway
DAVIS
Well, find out what you can during the tour. We need something to go on here
TRU
Okay
(The lift dings)
And try to be cool today
(The lift opens; Carly and Anna step out)
CARLY
Hi! You must be Davis
(They shake hands. Davis is star struck again. Carly raises her eyebrows at him, Davis seems to snap out of it)
DAVIS
So…did you like the elevator?
16. INT. Morgue. DAY.
(Tru is giving Carly Anders the tour around the morgue)
CARLY
What if you got to the crime scene and it looked like a murder had taken place, but the body was gone?
TRU
Well, depending on the circumstances, you’d issue a Certificate of Presumptive Death, which allows the coroner to declare a person legally dead even if there’s no body
CARLY
Really?
TRU
Yeah. So what’s it like coming home after striking it big? Is it weird?
CARLY
Sure it’s weird. But going home is always weird, no matter who you are
TRU
Yeah but do you run into any real jealous types?
CARLY
Here and there
TRU
Anyone who has any big issues with you or…
CARLY
Look, you seem like a real sweet person, but I’d rather not talk about my personal life
TRU
Right. Of course. I was just wondering…
CARLY
Please. Let’s just stick to business, okay?
TRU
Okay
ANNA
Hey, I was just gonna grab some lunch from that diner up the street. Do you want anything?
CARLY
No, I’m good thanks
ANNA
Okay
TRU
Hey, Davis?
(he peers out of his office)
DAVIS
Yeah?
TRU
Would you mind taking over? I’m gonna run to the diner with Anna
DAVIS
Yeah. Would you get me a slice of chocolate…
(Tru shakes her head slyly)
Um, I have a corn dog here so it’s fine
TRU
Okay
Cut to: shot of the Standard Diner
17. INT. Diner. DAY.
(Tru and Anna enter together)
ANNA
I’ve been with Carly for four years now. Best boss I ever had
TRU
So you’re pretty much with her 24/7, huh?
ANNA
More or less
TRU
So you’d know if there was someone who might be holding a grudge against her?
ANNA
A grudge?
TRU
Yeah, I mean, she got so famous, right? Some people might resent that
ANNA
Everybody loves Carly
TRU
So you’re saying you can’t think of one person who might feel otherwise?
ANNA
Well the tabloids have a field day with her. But Carly’s tough. One of the most determined people I’ve ever met
TRU
Really
ANNA
Her mom told me the only time she ever took off was eight years ago, right after a big movie. She was 16 years old and on the verge of a nervous breakdown. Finally, her mom forces her to take a year off. After that, she comes back stronger than ever
TRU
Wow…
Cut to: Shot of the City Morgue
18. INT. Morgue. DAY.
(Davis is leaning against the window. Tru walks up to him)
TRU
Where’s Carly?
DAVIS
Shh. That guy came in, said he needed to talk to her. I tried to stop him, but she said it was okay
(Tru looks through the window)
TRU
He came looking for Carly yesterday, but she’d left by the time he got here. Have you heard anything they’ve been saying?
DAVIS
They’ve been keeping their voices lowered
CARLY (muffled)
I can’t do this anymore!
(The man walks over to the door and out)
MAN
I’ll see you later Carly
TRU (to Carly)
Is everything okay?
CARLY
Yeah, I’m fine. That was just an old friend
TRU
Didn’t look too friendly to me
CARLY
Yeah well it’s nothing. Anyway, I should be going. Is Anna…?
TRU
Pulling the car around
DAVIS
Hey Carly, are you sure you don’t wanna stay a bit longer? I could autopsy something for you
CARLY
No thank you
TRU
Nice meeting you
CARLY
Yeah, you too
(she walks out)
DAVIS
You just gonna let her leave like that?
TRU
Don’t worry, I’ll be right behind her. After all, I have to return this
(she picks up Carly’s purse from the side)
DAVIS
Did you steal her purse?
TRU
I had to do something. I needed to buy myself some more time
DAVIS
For what?
TRU
To figure out how I’m gonna tell her she’s gonna die tonight
Cut to: Shot of the city buildings
19. EXT. Street. DAY.
(Harrison and Lindsay are walking along, arm in arm)
HARRISON
Relax! She’s gonna love me
LINDSAY
Well she’d better. We both know how spotty your track record’s been lately
HARRISON
Yeah
LINDSAY
Look I’m just…I’m really counting on you, okay?
(They pass a funeral party, and Harrison notices Jack standing there with a couple of men)
HARRISON
Jackie!
JACK
Harrison
20. INT. Bar. DAY.
(Harrison and Jack are sitting at the bar, with their drinks)
JACK
So. Are you all ready for Lindsay’s big test tonight?
HARRISON
Oh…test? No, no, it’s not…it’s um, it’s, you know, er…
JACK
Dinner. Right. You’re a braver man than I am, Harrison. But, hey, if I would have played it safe, maybe I wouldn’t be pushing 30 and all alone
HARRISON
No, safe? No, no, no…it’s…me and Lindsay? We, uh…we click. You know what I’m saying, man?
JACK
I stand corrected. Truth is, I envy you, man. You have what every guy wants, whether he’s man enough to admit it or not
HARRISON (nodding)
Hey
JACK
To you and Lindsay
(he raises his glass)
HARRISON
Me and Lindsay
21. EXT. Carly’s House. DAY.
(Tru walks up the steps and knocks on the door. Carly’s little sister answers it)
TRU
You must be Carly’s sister
ISABELLE
Are you a reporter?
TRU
No. My name’s Tru
ISABELLE
Swear you’re not a reporter?
TRU
Swear
(Isabelle closes the door. A second later, Carly opens it)
CARLY
Oh, Tru
TRU
Hey. Your sister’s adorable, she looks just like you
CARLY
How can I help you?
TRU
Um, well you left this at the morgue, so I just wanted to return it before you left town
CARLY
Thanks
TRU
Anyway I wanted to talk to you about the guy that came to the morgue today
CARLY
Peter?
TRU
Yeah, you two seemed pretty worked up
CARLY
I don’t see how that’s any of your business
TRU
It’s not. But…listen, I’m worried about you
CARLY
Why?
TRU
Because I have a bad feeling
CARLY
So you’re psychic now?
TRU
No, no
CARLY
Look, you’ve been asking strange questions all day. Thanks for dropping off my purse, but I think you should go now
TRU
Carly, if you’re in some kind of trouble, maybe I can help
CARLY
I don’t even know you
TRU
No, not yet, but if you just gave me a chance…
CARLY
We’d be the best of friends
TRU
Carly, please, I’m just…
CARLY
Look…come near me or my family again and I’m calling the police
(she closes the door)
22. EXT. Park. DAY.
(Harrison and Jack walk over the hill and down to the path, on their way to the carpark)
HARRISON
Yo, thanks again, bro. We should do this again some time
JACK
Yeah, we should. Hey look, about what I said back in the bar…
HARRISON
No, no, don’t worry about it
JACK
No, I’ve lost too many buddies to wives and kids. I don’t wanna lose another one
HARRISON
You keep picking up that tab, there ain’t no chance of that
JACK
All right
HARRISON
Hey, you need a lift?
JACK
No man, it’s a nice day. I’m gonna walk. Good luck tonight
HARRISON
Thanks again, man
23. EXT. Car park. DAY.
(Harrison pulls out his car keys and walks up to his car.)
CARJACKER
Leave the keys in the lock, step away from the car!
(He has a gun pushed against Harrison’s temple)
HARRISON
All right, buddy. Take it easy, man. Take it easy, okay, be cool. All right? No problem
(Jack walks into shot, a few feet away)
JACK
Hang on to your keys, Harrison
(The carjacker points the gun at Jack)
CARJACKER
No, you did not just say that
JACK (calmly)
I’m afraid I did
HARRISON (panicking)
Jack, Jack just…
(The carjacker points the gun back on Harrison)
CARJACKER
Keys!
HARRISON
Hey…
JACK
It’s your car, not his
CARJACKER
Shut up!
HARRISON
Look, a guy with a gun asks for keys? Guy with the keys hands it to him, man, that’s how it works
JACK
Not this time. The only way this guy’s gonna get your car is if you give it to him, because he certainly doesn’t have the stones to do it on his own. If he did, we’d be dead already and he’d be nothing but a set of taillights
(The carjacker turns the gun back on Jack)
CARJACKER
You sure about that?
JACK
Oh yeah
[Fade to Black]
[Flashes of the days images in sequence]
24. EXT. Car park. DAY.
(Jack and the Carjacker are staring each other out. Harrison is still panicking)
HARRISON
Look, the car, it’s a piece of crap, man. It ain’t worth it, okay?
CARJACKER (to Harrison)
Five seconds, your boy here’s dead
HARRISON
Jack, Jack, come on, man…
(The carjacker begins to walk towards Jack)
CARJACKER
Five…
HARRISON
Come on, Jack! It ain’t worth it, Jack!
CARJACKER
…four…
HARRISON
Come on, Jack! Hey!
CARJACKER
…three…
(The gun is pointed at Jack’s head)
HARRISON
Jack, man, come on!
JACK
It’s okay, Harrison
CARJACKER
…two…
HARRISON
Look, just let me give him the keys!
CARJACKER
…one…
HARRISON
Jack! No!
Dead silence. Harrison flinches.
JACK (whispering)
Bang!
(The Carjacker stares at Jack, Jack stares back, unblinking. The carjacker uncocks the trigger and runs out of the car park. Jack watches him go, still calm)
HARRISON
What the hell was that, man?
(Jack turns to him, and smiles)
25. EXT. Carly’s House. DAY.
(Tru is sitting in her new car, on the cellphone)
TRU
This was a mistake, she won’t even talk to me now
Cut to: DAVIS at the morgue
She just doesn’t understand you
Cut to: TRU
Yeah, well we were totally cool yesterday, and now thanks to my gift, she thinks I’m a psycho. Which, to be completely honest, I can’t really blame her
Cut to: DAVIS
All that matters now is saving her life, Tru
Cut to: TRU
Yeah I know, it’s just…sooner or later, this gig is gonna cost me all my friends
Cut to: DAVIS
Tru, a hero’s journey is treacherous
Cut to: TRU
Yeah, treachery I can deal with. But being alone kinda sucks
Cut to: DAVIS
Well I’m guessing you weren’t able to find anything out about the guy she was arguing with?
Cut to: TRU
No. Just a name – Peter
DAVIS (voice-over)
What do you think, angry ex or something?
TRU
Sounds about right
Cut to: DAVIS
So what’s the plan now?
Cut to: TRU
Well, stick close to Carly and see what happens, and pray she doesn’t see me
Cut to: DAVIS
Why don’t I meet you there, and I’ll keep you company?
Cut to: TRU
Oh Davis, you don’t have to do that
Cut to: DAVIS
No, I want too. Because, uh…Tru, you’re not…you’re not alone
Cut to: TRU (touched)
Thanks
Cut to: DAVIS
I’ll see you
(he hangs up, and sits looking worried)
Cut to: Tru
(Carly comes out of her house and walks to her car. She drives away and Tru follows her)
26. EXT. Marina. DAY.
(Harrison leans over the railing, looking down at the river, looking very relieved.)
JACK
You okay?
HARRISON
Do I look like a guy who’s okay?
JACK
You look like a guy who’s still got his car
HARRISON
Ohh…oh my God…
JACK
What?
HARRISON
He was gonna kill you man!
JACK
But he didn’t
HARRISON
Look, hey, I am all about standing up for what’s yours, but that was…what, you got some kind of death wish?
JACK
Harrison, death isn’t something you have to wish for. It’s coming anyway
HARRISON
What the hell is that supposed to mean?
JACK
Can I make a confession?
HARRISON
Sure
JACK
I lied to you. Before, when I said an old friend of mine had passed away. I was at a funeral, but I didn’t know the person who died
HARRISON
Did you go to the wrong church, what?
JACK
No. Just something I like to do
HARRISON
Go to stranger’s funerals
JACK
Yeah
HARRISON
For what, kicks?
JACK
No. For clarity
HARRISON (sarcastically)
Oh, right! Oh, jeez…
JACK
I go to remind myself that death is inevitable. Death is part of life. And as soon as you understand that, you’re free. You can do anything you want
HARRISON
So is that what you meant earlier, when you were talking about playing it safe with Lindsay?
JACK
Lindsay. Look, I’m sure Lindsay’s a great girl, but the problem with great girls is, they want great lives. They want a house with a white picket fence and 2.5 kids playing in the yard. Now, I don’t know you that well Harrison, but you strike me as a guy who wants more than that. Who needs more than that. More freedom. More fun. More life
27. EXT. Railway Yard. DAY.
(Carly’s car drives down towards the rail track. Tru drives her car behind some barrels, out of the way. Carly gets out of her car and walks over to where Peter is standing. Tru watches from behind a skip. Carly hands Peter an envelope)
PETER
Oh, there’s more here than what I asked for
CARLY
Consider it a severance package
PETER
That’s not how our arrangement works. You see, I ask you for money, you get it to me. Whether its today, tomorrow, or a year from now
CARLY
And I’ve honoured that arrangement for eight years now. I think that’s long enough
PETER
Not for me. I mean, I appreciate the bonus. But you will be hearing from me again. Count on it
(Carly shakes her head, walks back to her car and drives away. Tru steps back, as Peter comes towards her)
TRU
Why don’t you tell me about your arrangement?
PETER
And you are?
TRU
Someone who cares about Carly. She said you were an old friend before, but you look more like an extortionist to me
PETER
Actually, I’m a reporter for the Sun-Times. What you just saw was an interview for a story, nothing more
TRU
She paid you off, to keep quiet about something that happened eight years ago
PETER
I can neither confirm, nor deny
TRU
Look, what was it, Peter? What happened back then?
(Peter looks at her. Tru thinks about it)
[Flashback: ANNA: “Her mom told me the only time she ever took off was eight years ago”]
[Flashback: Isabelle at the door. TRU: (voiceover) “Your sister’s adorable. She looks just like you”]
TRU
It’s Isabelle. She’s not Carly’s sister. She’s her daughter. Listen to me, whatever it is you’re planning tonight, you can forget it, because if you hurt Carly, I’m going to the police
PETER
Are you kidding? Carly’s little secret helped pay for my summer home. The last thing I’d ever do is hurt her. We done here?
(He drives away, leaving Tru staring after her)
28. EXT. Street. NIGHT.
(Davis walks along alone, talking on his cellphone)
DAVIS
Carly Anders’ sister is really her daughter? Whoa…what a scandal. You don’t think the reporter’s the killer?
Cut to: TRU (in her car outside Carly’s house)
No, Carly’s worth too much to him alive
Cut to: DAVIS (he’s reached his car, he gets in)
Well if not him, then who?
Cut to: TRU
I’m back at Carly’s trying to figure that out
(Tru notices Anna and Carly arguing on the doorstep)
ANNA (muffled)
You’re making too much of this
CARLY
I can’t believe you did this…
TRU
According to your spreadsheet, there’s a large probability that the killer’s someone close to the victim, right?
Cut to: DAVIS
Right
Cut to: TRU
Well who’s closer to Carly than Anna?
CARLY
Just leave me alone!
(Carly walks back into the house, leaving Anna alone on the doorstep)
Cut to: Shot of the restaurant
29. INT. Restaurant. NIGHT.
(Lindsay is sitting alone. A waitress brings her the bill. Harrison walks up, nonchalantly)
HARRISON
Hey, hey, hey. What’s up?
LINDSAY
You were supposed to be here to hours ago. Where the hell have you been?
HARRISON
I lost track of time. No biggie
LINDSAY
Actually, no. It is a biggie. I told you that this was important to me
HARRISON
Well, I’m here now. So, where’s the big sis?
LINDSAY
She left
HARRISON
Oh, well, her loss, right?
LINDSAY
Why are you acting like this?
HARRISON
I don’t know. Why are you acting so clingy?
LINDSAY
What?!
(she throws the pen down on the table)
HARRISON
Exactly what Jack was talking about
LINDSAY
Jack. What does he have to do with us, huh?
HARRISON
You know, sometimes I’m gonna be late. Sometimes I might not show up at all. That’s just something you’re gonna have to deal with
LINDSAY
No, no I won’t. Because if you’re feeling tied down, then by all means, consider yourself untied
HARRISON
Whatever
(He picks up a drink from the table and drinks it. Lindsay looks disgusted)
LINDSAY
We’re through
(she stalks away. Harrison doesn’t look after her)
30. EXT. Carly’s House. NIGHT.
(Anna walks down the steps and onto the path. Tru meets her there)
TRU
Anna…
ANNA
Tru, what are you doing here?
TRU
Carly had a few more questions about the morgue, she asked me to stop by. Is everything okay with you two?
ANNA
Honestly? No
TRU
Why, what happened?
ANNA
I ask Carly if I can borrow her car to run some errands while she’s at her mom’s. She says fine. I get in a fender-bender while I’m out, and she throws a fit
TRU
You were in an accident?
ANNA
Well, I was pulling out of a spot, when this other car just crunched the door, and left a nasty red paint scrape. But so what? It’s just a rental
(Her cellphone rings)
Sorry…Hello?
(Behind them, Davis gets out of his car. Tru goes over to him)
TRU
Oh good, you made it. Anna was in an accident in Carly’s car
DAVIS
What?
TRU
A red car crashed into the driver’s side door. But if the damage occurred before she drove to the bridge…
DAVIS
Maybe she wasn’t forced off the road. Maybe she drove off the bridge herself
TRU
Suicide? No way. I mean, the police said that Carly called 911 and said someone was following her. Why would she do that if she was planning to kill herself? Someone killed her, I know it
DAVIS
But who? And why?
(Behind them, an engine starts and the tyres squeal as Carly drives away in her car)
TRU
Carly…
[Fade to Black]
[Flashes of the day’s images in sequence]
31. EXT. Carly’s House. NIGHT.
(Tru runs to her own car and drives off after Carly. Anna is still talking on the phone)
ANNA
But that can’t be right. It doesn’t make any sense. Fine. Yeah, I’ll call you back after I talk to her. Bye
DAVIS
Is everything okay?
ANNA
That was Carly’s agent, and according to him, there is no morgue movie
DAVIS
What?
ANNA
The movie about the morgue attendant, it doesn’t exist. Her next project is supposed to be a romantic comedy
DAVIS
If there’s no morgue movie, then why spend the day with me and Tru?
ANNA
I was just wondering the same thing
32. INT. Tru’s Car. NIGHT.
(Tru’s cellphone rings. She answers it)
TRU
Hello?
Cut to: DAVIS
Carly lied to us. There never even was a morgue movie
Cut to; TRU
What?
Cut to: DAVIS
It doesn’t exist, she made it up
Cut to: TRU
But then why would she come to the morgue? Why would she ask us all those questions?
[Flashback: CARLY: “What if you get to a crime scene and it looked like a murder had taken place, but the body was gone?”]
TRU (cont’d)
Davis, this may sound crazy, but I think she’s trying to fake her own death
Cut to: DAVIS
What’d you say?
Cut to: TRU
Both days she asked me what would happen if I got to a crime scene and there was no body. She needed to make sure that the missing person would still be declared legally dead
Cut to: DAVIS
Why?
Cut to: TRU
Because that was her plan. Fake her own death and disappear. That’s why she spent the day with us, she wanted to get all the details right so no-one would catch on
Cut to: DAVIS
But Carly had everything, why would she do something like that?
Cut to: TRU
Think about what the last eight years have been like for her. Knowing her darkest secret could come out at any time. She must have had enough. Probably thought this was the only way out
Cut to: DAVIS
Well if you’re right then Carly really wasn’t forced off the bridge by another car. And that call to 911…
Cut to: TRU
Also fake
Cut to: DAVIS
There’s just one problem, Tru. Carly didn’t fake her death yesterday She actually died. Otherwise, the day wouldn’t have restarted
Cut to: TRU
Something must have gone wrong. Something that she didn’t plan for
Cut to: DAVIS
Well whatever that something is, you have to get there before it happens
(Tru hangs up the telephone and pulls to a stop by the bridge. The railings are already broken. Tru gets out of the car and runs over to the railing. Below, in the water, half of Carly’s car is still visible.)
TRU
Oh my God…
CARLY (off-screen)
I need help! You have to come now! Someone’s following me, I can’t get away! Please hurry!
(Tru looks over to the other side of the bridge, Carly is talking on her cellphone, climbing over the railing at the other side. She notices Tru)
CARLY
What?!
TRU
Carly, listen to me
CARLY
What are you even doing here?!
TRU
Look, I know what you’re planning on doing, and it isn’t gonna work
CARLY
It will work, as long as you don’t tell anyone!
TRU
That’s not what I meant
CARLY
Please, just leave me alone!
TRU
Carly, I…
(She stops, and looks behind Carly. A truck is coming up fast)
Cut to: The driver of the truck, he isn’t paying attention. His stereo is blaring loudly, and he’s looking down, fiddling with the stereo
TRU
Watch out!
(she leaps forward, pushing Carly out of the way. The truck shoots past, the driver never even noticing they were there)
TRU
The SUV hit you yesterday…that’s how you ended up in the water. That’s how you died
CARLY
Died? What are you talking about?
TRU
I know why you did it, Carly. I know about Isabelle, that she’s your daughter
CARLY
How?
TRU
I figured it out
CARLY
I thought that if word got out, my career would be over
TRU
So you covered it up, for eight years?
CARLY
You don’t know what it’s like, Tru. To have a secret people are trying to expose
TRU
Actually, I do. Because I have a secret too, you know. And there have been plenty of times when I have wanted to run away, pretend it wasn’t a part of me. But I don’t, because there’s someone’s life at stake
CARLY
Whose?
TRU
Tonight, it was yours
CARLY
Someday, someone would have exposed us. I know that. It’s no way to live a life, waking up each morning, wondering if today’s the day the story finally comes out. That’s why I finally told Isabelle the truth a few months ago. It was the hardest thing I ever had to do. It took her some time, but she’s okay with it now, and she wants us to be together. Start a new life
TRU
By faking your death?
CARLY
Look, I’m leaving the country tonight, and I’m taking Isabelle with me. I didn’t wanna go to this extreme, Tru. I tried to buy my way out today, pay off the one person who knew the truth about Isabelle. But he wasn’t about to let the story die. So I had to go to my backup plan
TRU
But if Isabelle’s okay with you being her mother, then why go to all this trouble? Why not just come clean?
CARLY
You think the tabloids would ever leave her alone? Ever let her have a life? Look…I’m sorry if you can’t get away from your secret, Tru. But please…I need to get away from mine
33. INT. Morgue. NIGHT.
(Jack is typing into the computer. Harrison walks in)
HARRISON
Hey, hey, hey
JACK
Oh, hey. I thought you had that thing with Lindsay and her sister
HARRISON
Oh, I did. Dinner, yeah. Uh, didn’t go exactly as planned. Um, she…she ended it. Like: pssht
JACK
I’m sorry to hear that
HARRISON
I should’ve seen it coming, you know? She gives me chance after chance, and you know, I screw up. That’s what I do. I…I screw up
JACK
I know it must be hard losing a girl like Lindsay, but…
HARRISON
Yeah
JACK
Hey, maybe it’s for the best, you know? I mean, all these chances you keep talking about, did it ever occur to you that maybe they were chances for her? Chances for her to change you? Real friends don’t do that, man. Friends accept you for who you are. Appreciate you for who you are
HARRISON
Yeah, yeah, I guess, you know?
JACK
No, don’t guess, Harrison. Know. Now, I know I haven’t known you for very long, but…I’m your friend, man
(he pats Harrison’s shoulder)
No matter what
(His pager beeps)
Oh. Duty calls. I’ll see you soon, yeah?
HARRISON
Thanks, man
Cut to: Shot of the river, a diving boat goes past, looking in the water. It passes a crane, lifting Carly’s car from the water
34. EXT. Riverside. NIGHT.
(Tru and Davis walk down to the riverside)
DAVIS
Are you sure about this?
TRU
Don’t have to be. Can’t say it’s the choice I would have made, but it’s Carly’s life. She can do what she wants
DAVIS
Well. A lot of ways to help people, I guess. Some people need help living, some dying. Some a little bit of both
TRU
I think I finally understand now. She did it to protect her daughter
DAVIS
Well, here’s hoping that Carly pulls it off
TRU
Actually, I wasn’t talking about her. I was talking about my mother
JACK (off-screen)
I don’t get it
(He moves into shot)
Why would they call us and bring us all the way down here if there’s no body to pick up?
DAVIS
Must have jumped the gun when they found the car. Probably figured the body was still in it
TRU
The currents must have washed it away
DAVIS
We may never find it. I’ll see you two back at the office
JACK (to Tru)
It’s too bad. Your first pickup and no body
TRU
Go figure
JACK
Poor Carly Anders. She had a lot to live for. It’s funny how life works, huh? One day you’re here…next day you’re not
(Jack kneels down and strokes the place where Carly’s body lay on day one)
Well, wherever she is tonight…I’m sure it’s a better place
35. EXT. Elise Davies’ grave. DAY.
(Tru lays flowers beside it)
TRU
Hey, Mom. I know it’s been a while, but…I’ve been busy. I guess nobody would understand that better than you. But I’ll be back soon, Mom. I promise
(Tru turns and walks slowly out of the cemetery)
[Fade to Black]
[END CREDITS]